Alfredo Troise recalls through this work the myth and history of the ancient Mycenaean civilization. The central figure appears to be the caryatid, which represents the conceptual binomial of 'support' and 'fusion'. She who supports the temple, the history of man and his civilization. The fusion is clearly perceptible from the double suggestion of the man/community dimension, in a game of references. Statues and Architectures follow one another as a glue of global unification of the world's populations and the supporting columns of the table symbolize the unique reconciling icon of a people who civilized and colonized the old continent.